Fragments

The closest I'll ever come to blogging.


A bamboo stand with cicadas

For now, this.


On a hike in Platanillo, Costa Rica, this morning and found the path blocked by a stand of bamboo trees. Sound on to hear the cicadas.

Welcome to the B-movie

Mandate, my ass


Gil Scott-Heron said it decades ago.

The idea concerns the fact that this country wants nostalgia They want to go back as far as they can-- Even if it's only as far as last week Not to face now or tomorrow, but to face backwards

Again, again, again


A moment in awe of Ryuchi Sakamoto


Watching a Ryuchi Sakamoto performance of async, and it’s almost magical watching him work. The lightness, the near trepidation he seemed to feel when playing the pianissimo accents of the opening, as though he might land just a little too hard on one of the keys and ruin everything for a lack of sensitivity. He touches the keys, but just. A whispered note. Beautiful. The opening credits, a simple black background with his name in white, appear on screen. Soon he begins looping. And the opening, haunting keys linger as organ sounds underneath the electronic soundscape Sakamoto takes such delight in creating. Everything he does is so physical. He leans over the piano with a guitar slide, and makes the most haunting sounds.

Watch RYUICHI SAKAMOTO: async AT THE PARK AVENUE ARMORY (2018) on MUBI
mubi.com

Watch RYUICHI SAKAMOTO: async AT THE PARK AVENUE ARMORY (2018) on MUBI

A live performance film capturing an intimate concert by composer, pianist and music producer Ryuichi Sakamoto in New York City. The performance marked the first public unveiling of Sakamoto’s new opus, async, hailed as one of the best albums of 2017 by Rolling Stone and Pitchfork.